J. Edgar

Movies that are based on true events or labeled as biopics have a greater responsibility than just telling a story, they have to entertain. So in the instance of entertainment is Hollywood to blame if they have to embellish the story for entertainment values. I think not, most stories about people’s lives are a little mundane and need a little beefing up in order for an audience to enjoy sitting through it. Here we have the story of one of the most pivotal figures in law enforcement, J. Edgar Hoover and his rise and fall from power. Unlike other films of this genre like The Queen, which covers one event in the life of the character, this film deals with the majority of his adult life and how he preserved it.

The life and times of J. Edgar Hoover, from the build up and creation of the FBI to the backroom dealings that gave him the power that he so craved. The story alone in entertaining to a point, but the added action moves the plot along quicker, told through the writing of Hover’s memoirs. One of the best aspects of this film is the makeup job that is applied to Leonardo DiCaprio; he truly looks as if he’s aged from his twenties to his seventies. The other star of this film is truly the director, Clint Eastwood; he is able flesh out the characters and the scenery in a way that the audience does not get lost in the leaping in time. Through the writing of the memoirs we are transported from the 1920s to the 1970s, and with the flawless direction and seamless editing we do not lose track of where we are or who we’re watching.

As biopics go this film is more involved than most with less exaggeration than most, it has an air about it that shows just enough to peak the audiences interest but also holds back enough as not to overwhelm. With all of the biopics that have come out over the past few years there are but a few that can be said to be worth watching repeatedly, this is one of them.

Captain Sinbad (1963)

Fantasy films have come a long way from the early days of film making and over the years a few names have become synonymous with the genre. The adventurous stories about the sea voyages of Sinbad have been around for centuries. Different incantations have been seen and with each new version the audience is treated to new and amazing sights. Here we’re given a vehicle for Guy Williams, known for his television roles in Zorro and Lost in Space, that unfortunately does nothing to expand his acting ability but to show that he is very adapt to the action hero role.

Captain Sinbad returns home only to have to battle the dark forces of an evil tyrant who has kidnapped the beautiful princess. Even though a far superior Sinbad film was made in 1958 by Columbia Pictures, in 1963 King Brothers Productions chose to use poor special effects and cheap set design to carry this version. Even though marketed towards a younger audience, the effects don’t carry this fantasy tale where the audience’s attentions are focused. Through the whole film there are a couple effects that do work, the ship being bombarded with huge boulders and the giant hand protecting the tyrants heart. But even for a kids film the acting is stale and the battles seem a little too planned out.

There are many fantasy films out there, old and new, that have strong merits to be watched, and they should be watched by audiences young and old. Fantasy films help expand imaginations and keep them vibrant, and with an imagination that is always in motion your horizons are always changing and becoming more adventurous.   

The Adventures of Tintin (2011)

Computer generated animation that is used today seems to be getting better and better as time goes on. But just because you use new and better technology doesn’t mean you’ll have a hit film on your hands, you still need a strong plot and an enjoyable story. Both of which are lost with this movie. Usually when dealing with a long time source of material, as we have here with the Tintin comics, you would think that a strong and enjoyable movie would be made. Even with big names attached to the feature, Steven Spielberg, Peter Jackson, Daniel Craig, couldn’t save it from the failure heap.
The well known journalist Tintin is dragged into an adventure that could solve a centuries old mystery of pirate treasure. Even with top of the line computer animation the people don’t quite look real, which is fine since the characters are straight from the comics, but it draws your attention away from some of the other things that are going on in the scenes. Where this film is supposed to be an action movie you would think that the sequences would be stronger and faster paced, here they just seem planned and contrite.

This film proves the fact that you can’t have a hit every time you make a film, and the two biggest names attached here, Spielberg and Jackson, know this all too well. Maybe the next time around they’ll do better but for now this isn’t worth the time or effort to watch.